Bluebeard

Baron von Sepper is an Austrian aristocrat noted for his blue-toned beard, and his appetite for beautiful wives. His latest spouse, an American beauty named Anne, discovers a vault in his castle that's filled with the frozen bodies of several beautiful women.

Young female models are being strangled. Will law enforcement be able to stop the crime wave before more women become victims?

The animation takes place within a story book and adopts a paper aesthetic. The story is an adaptation of the fairy tale by Charles Perrault.

A woman marries the man of her dreams only to find herself trapped in a nightmare, in this Gothic thriller inspired by the classic fairytale Bluebeard.

Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.

A doctor finds himself in the middle of an unsolved serial murder case after discovering a secret from a sedated patient. When dismembered bodies show up close to home, he must solve the riddle before the killer realizes what he knows.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

Anne (Daphné Baiwir) reads her younger sister, Marie-Catherine (Lola Créton), the story of Bluebeard. In 17th-century France, another set of sisters — also named Anne and Marie-Catherine — are left impoverished by their father's death. Marie-Catherine dreams of marrying into money, and soon falls for wealthy divorcé Bluebeard (Dominique Thomas). Grateful for the chance at a life of comfort, Marie-Catherine marries Bluebeard — in spite of rumors that he has made a hobby of murdering his wives.

Film adaptation of the famous French folktale by Georges Hatot.

Based on the Béla Bartók opera, Duke Bluebeard reluctantly and gradually uncovers the secrets of his psyche to his fourth wife, Judit, opening the seven doors of his castle to ultimately reveal his still living previous wives, among whom Judit must take her place.

American multi-millionaire Michael Brandon marries his eighth wife, Nicole, the daughter of a broken French Marquis. But she doesn't want to be only a number in the row of his ex-wives and starts her own strategy to tame him.

Wife of a young successful businessman Philip dies. He body is found near a cliff. Tatiana begins her investigation.

Perrault's fairy tale presented in claymation with choral voices. Bluebeard goes courting, all six of his wives having died. He arrives at the house of a widow with two daughters. He's greatly feared, but he overcomes objections with a generous dowry. One sister (Anne) refuses him; the other accepts. At his castle, the damsel delights in precious minutes away from Bluebeard in the rose garden. The Saracens declare war; Bluebeard goes off to fight them, leaving the keys to the castle in the damsel's hands. He warns her not to enter the forbidden room. As war rages, she discovers riches in the castle and then enters the forbidden room. Will Bluebeard discover her act? Can she escape death?

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.

Baldo is an enterprising young man looking for fortune. He responds to the mysterious Lucrezia's marriage announcement and decides to go to her town to meet her. Here Baldo meets a series of less than reassuring people who try to dissuade him from meeting Lucrezia about whom various suspicions hover.

Based on the classic fairytale "La Barbe Bleue" (Bluebeard, 1697) by Charles Perrault, author of Cinderella, which tells the story of a wealthy and feared aristocrat with a blue beard who has the bad habit of killing his wives.

"The fate of a beautiful woman" tells a story of Erika Dankwarth that reflects herself in a multitude of men.

A new version of the famous story about Bluebeard. Two characters - killers from different eras, from different myths - decide to start a family. Who will win in a deadly duel? Another attempt to get married will be the last for the hero...